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We help authors in the United Kingdom publish properly and keep every right to their work. Writing, editing, design, registration, distribution and the events that follow — under one roof, at a pace that suits the book.
Founded by two people who spent thirty years in trade publishing. We take on a limited number of books each year, so you speak to the same editor from the first call to the last proof.
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Each service stands alone. Most authors begin with an audit, then take the two or three things their book actually needs. Fees are fixed in writing before work starts.
Most authors start with an audit. Send us the manuscript, or simply tell us what the book is about, and we will tell you plainly what it needs next.
Tell us about the book. We reply within five working days.
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Fill in as much as you know. A rough word count and two sentences about the book are enough to begin — we will ask the rest on the call.
We spent three decades inside large publishing houses. The books we most regretted losing were rarely bad — they were simply too small, too specific or too late in someone’s life to fit a sales forecast. Mercer & Vale exists to publish those books properly.
The first book we published under our own name was a history of a Lancashire mill written by a retired engineer in his seventies. Four houses had told him the readership was too narrow. It sold eleven hundred copies in its first year, and he signed every one he could reach.
That set the pattern. We work with first-time authors, with people writing at the end of a career rather than the start of one, and with authors who published elsewhere and found the result unrecognisable. We are a family business: the second generation now runs production and marketing, and the reading is still done in the same room.
We take on a limited list each year, we say no when a book is not ready, and we tell authors when the honest answer is to spend nothing yet and write for another six months.
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Send us the first three chapters. We reply within five working days, and the first conversation costs nothing.
Both paths end with a book in a reader’s hands. They differ in what you give up to get there, how long it takes, and who decides. Here is each one, honestly, so you can judge which one your book wants.
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We’re not saying traditional publishing is wrong. We’re saying the terms have never favoured the author.
None of this makes trade publishing dishonest. It is simply the part of the conversation that happens after the contract, rather than before it.
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Yes, and for some authors it is plainly the better choice. If you already have a large public platform, if your ambition is literary prize recognition, or if the validation of a trade imprint matters to you more than the terms, a publisher can offer things we cannot. We will tell you so if we think it applies to your book.
Send us the first three chapters, or simply tell us what the book is about. We read everything that arrives, and the first conversation costs nothing.
What we find ourselves saying to authors again and again, written down so you can read it before you pay anyone.
The same documents we send our own authors. No charge, no newsletter required — an email address is enough.
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Every enquiry is read by an editor, not a form handler. The first ninety-minute conversation is free, whether or not you go on to commission anything.
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